Panshanger - another old airfield gone...

I was saddened to learn of the recent closure of my 'local' airfield. I'd sort of lost touch with the place since I had to cease my activities there for financial reasons - it came as rather of a shock find out the place had closed without my knowledge - I had been meaning to go back and see how things were. A new flying club had taken it over since my days there so I doubt I would have met anyone I remembered anyway.

I thought I'd go up there and try to have a look round if I could before the bulldozers move in and another piece of history slips quietly away forever...

It was possible to get onto the old approach and walk a bit closer, but it wasn't possible to get far before finding the way blocked by security fencing and signs warning of guard dogs on patrol. A couple of the old small hangers could be seen quietly decaying....

Getting a little closer it was possible to glimpse the large old T2 type hanger rusting away and awaiting it's fate. I suspected there wasn't a great deal more to be seen as I knew many of the old WW2 buildings and the control tower had been demolished since my days there - probably around the time the previous flying club closed down.

While I was taking a few pictures a couple of locals turned up walking their dogs - amusingly they thought I was some security guy keeping an eye on the place! We chatted for a few minutes and one of them said he had signed the petition to save the airfield. From 1953 the airfield was owned by former air racer and notoriously shrewd businessman Nat Somers - a Jersey based tax-exile and former owner of Southampton airport among others. After Nat's death in 1990 the airfield passed to his wife Dame Phyllis Somers (also a former pilot) who he first met at Panshanger. Unfortunately she died in March of this year, and it appears her son wants to sell the airfield for housing development so the company owning the aerodrome declined to renew the lease to the flying club. Part of the airfield was built on in the 1960's-1970's leaving only one grass runway remaining. There is a campaign by the locals to save the airfield...

I would have liked to poke around a bit for old times sake but it was starting to get dark. I was hoping to explore and get more pictures - I wanted to record what I could before another part of my past gets bulldozed. Although the airfield didn't see any use by combat units since it opened in 1940 it still has an interesting history and was a decoy site with a large dummy factory built to lure German bombers away the the vital de Havilland factory only six miles away in Hatfield. Some bombs and incendiaries did fall on and around the site so it must have worked and probably saved some lives. Originally the airfield was called Holwell Hyde but it's name was changed to Panshanger in 1943. The original factory decoy and airfield site was quite extensive and I'm sure it could tell many stories. Now only it's ghosts remain...

Although I was hoping to explore and get some better pictures, I have since found a website with a lot of pictures of the sort I was hoping to take and also a load of interesting information on the place.

 Looking back I see that I flew from Panshanger eleven times.

The poppies at the Tower of London

I had been really wanting to go and see the poppies at the Tower of London, but wanted to wait until they were all finally in place. I knew the final poppy was going to be placed on Remembrance Day itself but realized the whole area was going to be massively crowded so decided to go the day before. On the day after the poppies would start being removed so Monday the 10th seemed the optimum time to go. Needless to say it was still crowded - apparently several million people have been to pay their respects already.

I had grandfathers on both sides of the family who were there in the trenches in the First World War - fortunately both survived so I'm glad to say that none of the millions of poppies in the moat of the Tower of London today represent their lives. Many weren't so lucky. Walking round the outside of the moat to view all the poppies takes some time because of the crowds - this makes it a more moving and thought provoking experience...

A rainbow over the poppies - a sign of hope?

One of the Tower's famous Ravens.

 It takes time to take in the sheer scale of it all.

Due to the crowds it took so long to work my way round the outside of the moat that it was getting dark before I finished - plenty of time to reflect that each individual poppy presents a life taken... It was certainly a memorable experience and I'm glad I made the effort to get down there.

8/11/2014 Motörhead @ Wembley Arena

So it finally happens - the day some thought might never come. Motörhead are back! Yes, after the last two occasions I bought a ticket to see Motörhead they got refunded both times when tours were cancelled due to Lemmy's ill health - this time I get to see them play. Naturally I was delighted (if a little apprehensive) when a new Motörhead tour was finally announced, but a little dismayed when I found out the venue for the London show was to be the dreaded Wembley Arena. Still, if that's where they are playing then that's where I've got to go - after all you never know these days if it will be the last time. Still, I've been to see the band headline this venue before so I can do it again. I didn't have to pay last time at Wembley, but this time it's the most I've ever had to pay to see Motörhead. To be fair, a show at this venue is never going to be cheap - although I have seen bigger productions by KISS and Alice Cooper at this same venue is recent times for around the same (or less) money. The Damned are supporting so it's a good bill though.

Unfortunately I bought my ticket too late for it to be posted to me, so I had to go and pick it up in person from the West End on the day of the show. Actually that worked out quite well in the end as to get the tube to the gig I had to travel into town and then out again to Wembley anyway. The cost of my journey would have been the same regardless, and still cheaper than it would have cost to have the ticket posted to me - and my journey time was virtually the same too. Another byproduct of this was that I could have a couple of drinks at a West End Wetherspoons on the way to the gig - this was good as I had no intention of getting ripped off by the bars at the venue - £5 a pint of something horrible! I found this stuff in the pub and couldn't resist!

It was so nice I had to have another - which unfortunately led to me missing the first part of The Damned's set. However, I wasn't too disappointed as I'd read online earlier that it was only the later part of the band's set which was really good.

I arrived as The Damned were playing their classic 'Smash It Up' and things went well from there. There are only two original members of the band left these days - singer Dave Vanian and the one and only Captain Sensible on guitar, although the Captain originally played bass in the band. The other 3 current members of the band are just 'making up the numbers' to be honest, although they are good musicians. Keyboard player Monty Oxymoron can be a bit OTT and rather annoying.

The Captain gave Lemmy a namecheck and thanked him for having The Damned on the bill for the tour - he went on to say that if it wasn't for Lemmy the band wouldn't even exist as he saved them by playing bass for The Damned briefly in their early days. Lemmy has always liked this band anyway, and this isn't the first time they have supported Motörhead.

The Damned turn in a decent (although not great) show and play the expected 'Greatest Hits' type of set including the more Goth 'Eloise' cover as well as their punkier songs like 'Neat Neat Neat', 'Love Song', and of course their classic 'New Rose'. Not the best I've seen from the band, but I certainly enjoyed their set more than some of the more 'metal' support bands Motörhead have had in the past.

So, at last the mighty Motörhead take to the stage. It's well known that the band's iconic figurehead Lemmy has suffered some serious health problems over the past few years - all that hard living finally catching up with him I guess. To be fair he is now 68 years old so it's only to be expected that he is going to slow down a bit. He doesn't look like he has any intention of slowing down tonight though! Two tours have been cancelled due to Lemmy's health in the last 18th months or so, and last year he had to cut a festival set short in Germany as he hadn't recovered enough. Motörhead supported Black Sabbath in Hyde Park earlier this year and the reports of Lemmy's performance on that day weren't too encouraging either, although he got through the set (possibly against his better judgment) and said he actually felt great afterwards. He has apparently been feeling much better since then and has been making good progress regaining his strength. Tonight he seems far more like his old self, although he looks noticeably thinner now. Then again, he used to be pretty skinny in the band's earlier days anyway. So how are Motörhead tonight? They are pretty good. I've seen them better, and I've seen them worse - on one occasion when Lemmy was first starting to get health problems which have since been better diagnosed and dealt with. I wouldn't say Lemmy is quite back at 100%, but he's certainly a lot better than he has been, and remember he is 68 years old regardless of how healthy he is. He was never an animated frontman leaping about all over the stage posing and throwing shapes - he just stands there and does what he does - pretty much like he always did. He turns in a good performance in his own unique style, and sings OK - as much as he ever does anyway. He certainly plays bass very well tonight - he is bloody good at what he does. He's not quite as chatty tonight as I have seen him, but certainly getting back into form and still showing some of that attitude.

Needless to say, Phil and Mikkey play guitar and drums well as usual, although we have to put up with the usual solos from both of them. Lemmy never subjects us to bass solos, but I think he has always liked the other members of the band taking long solos as it gave him a chance for a fag break. But he's had to stop smoking now, as well as cut down massively on his drinking so maybe he's just sitting down taking a breather....  The set contains plenty of crowd pleasers as usual - 'No Class', 'Killed By Death', etc. I'm particularly pleased to hear 'Damage Case' and 'Doctor Rock', and we also get 'Stay Clean', 'Metropolis', 'Over The Top', 'The Chase Is Better Than The Catch', 'Just 'Cos You Got The Power', and 'Rock It'. Naturally there isn't anywhere near enough time to feature a song from every album and 'Iron Fist' and 'Bomber' were conspicuous by their absence - but you can't have everything. Things slowed down briefly with 'Lost Woman Blues' - considering this was supposed to be the (delayed) 'Aftershock' tour I was rather disappointed that this was the only song from the band's latest album. I was really hoping to hear a few songs from 'Aftershock' as it's a great album and the band's best for many years - the best since 'Inferno' in my opinion. Over the past year I have listened to 'Aftershock' far more than any other album by any band so I did feel a little let down not to hear the likes of 'Heartbreaker', 'Do You Believe', 'Crying Shame' or 'Keep Your Powder Dry' - all cracking songs!

As usual Lemmy introduced 'a rock 'n' roll song' (always my favourites from this band) in the form of the always popular 'Going To Brazil' before the inevitable 'Ace Of Spades' - which I didn't think Phil Campbell actually played that well tonight. Then it was encore time and the equally inevitable 'Overkill' - a lesser song than 'Ace Of Spades' in my opinion although I'm sure there are those who won't agree.

And so all too soon the show was over. It was well under an hour and a half, but I guess Lemmy is still having to take things a bit on the easy side - and I'd rather have a good show lasting an hour and a quarter than a longer one with things flagging towards the end. And I have to say that apart from the slower first part of 'Lost Woman Blues' there was no let-up through the whole show - it was pretty relentless. Which is just what we want from a Motörhead show! It was a good mixture of 'The hits' and some less often heard songs spanning the band's long career - definitely something for everybody. In fact quite a lot for everybody. No gimmicks, no fancy stage show or big production (although I'd love to see 'The Bomber' again some day) and not even any 'special guests'. Apparently both 'Fast' Eddie Clarke and Philthy 'Animal' Taylor put in appearances on stage at the previous show of the tour, although Philthy didn't play as sadly he has his own health issues these days. However, the mighty Motörhead don't need any flash props or guests - they just need to do what they do best - get up there and play their own unique brand of rock 'n' roll - fast and very LOUD! After my initial reservations about the venue, I actually enjoyed the experience far more than I have enjoyed the band's more recent shows at Brixton Academy and Hammersmith Odeon - due to the horribly overcrowded conditions in those venues and feeling I was being herded about like cattle - both those venues are awful places to drink as well and as I'd already had some quality ales on my way to Wembley I didn't really miss drinking at the venue at all. I felt I got value for money after waiting so long to see the band again. My ears haven't been ringing so loudly after a show for a very long time...

6/11/2014 Thunder @ Brooklyn Bowl

Thunder continue to be crap at 'splitting up'. They are one of the most shit at 'retiring' bands ever! Since I saw them play their 'last ever' show at the Sonisphere festival about five years ago I have seen them at the excellent High Voltage Festival and they have played several other festivals along with Christmas shows. Now they continuing to be rubbish at retiring by playing a show of their own in London featuring new songs, and next year they are going to release a brand new album and do a tour!

I'd never heard of this venue before, but apparently it opened earlier this year and it's main purpose is as an American style bowling alley rather than a music venue. However, I was quite impressed with the Brooklyn Bowl as a venue for live music. It's situated in the massive O2 Arena complex in Greenwich next to where the now closed British Music Experience was. I didn't bother checking out the bar as I was sure the prices would be ridiculous and I doubted they stocked anything I would have wanted to drink anyway, but apart from that it seemed a decent place to visit. It's a standing only venue with a low but adequate stage giving reasonable viewing. The room size looked a bit smaller than the Astoria or Islington Academy with the room being quite wide. I reminded me a bit of the Roundhouse, almost as if it had been divided into a smaller venue.

I forgot to take my camera as I left home in a rush, and then when I tried to take pictures with my phone I found the battery was too low. You know how people look right twats when they hold up a Tablet at gigs to take pictures? Well I'm afraid that was me on this occasion...

There were no tickets on sale for this show and there was no support act - the plan being to record it for a live album to be released with Classic Rock magazine in February. Thunder played a great set of old favourites, and also some new songs along with the classic 'crowd pleasers'. They also threw in a few covers - which I wasn't expecting as they have so many great songs of their own. Danny shouted out "Does anyone like Thin Lizzy?" (stupid question) before the band launched into a good version of that band's 'The Rocker'. We also got covers of the Frankie Miller standard 'Be Good To Yourself' and CCR's 'Up Around The Bend'. Of course we got the expected Thunder classics like 'When Love Walked In', 'Dirty Love' and 'Low Life in High Places' as well as some not so well known ones like 'Robert Johnson's Tombstone', and 'The Devil Made Me Do It'. Charismatic and lively singer Danny Bowes was on good form, and Luke Morley cranked out the riffs and lead lines on his Flying V (the only electric guitar he used all night) in fine style - loud and clear. The band's other guitarist Ben Matthews is having to take some time out from the band due to illness and his place was ably filled by ex-Winterville frontman Pete Shoulder - who also plays in Luke Morley's side project The Union. Luke isn't the only member of Thunder who has been busy outside of the band while 'retired' as drummer Harry James has also been playing in Magnum and Snakecharmer.

The invited crowd of round 800 mainly competition winners were well into it, and the sound quality was excellent - which was a surprise as this isn't a dedicated music venue. It was full but not too crowded, and the toilets were much better than the often terrible ones at many other music venues. Security staff were unobtrusive and the atmosphere was good. This is a venue I would be happy to return to - which is more than can be said for many of London's better known music venues which I only visit grudgingly to see my favourite bands.

Halloween in Enfield

What with Halloween falling on a Friday this year there are too many things going on - and most of them will be full of drunken idiots out on 'Amateur Night'. Every year Halloween seems to get further and further away from it's origins - for many people it just seems to be 'Fancy dress night' now and they wear anything - with little or no regard to the actual theme of the night. With idiot avoidance in mind I decided against the more usual areas of Camden or the West End. Some good friends of mine were playing in Enfield just a bus ride away - a free entry pub gig with reasonably priced beer. And appropriately for tonight, the band are called The Haunting.

I don't normally travel to see cover bands, but The Haunting make the trip worthwhile. They are always worth seeing anyway as they are a really good band, but they make a special effort to dress up on Halloween.

The band know that they are playing to a 'rock' crowd at this venue so their set is tailored accordingly, but this is the sort of music the band themselves like the most anyway.

 BOING goes the bass player!

The harder rocking feel to the band's setlist didn't stop people dancing - a wolf being one of the most enthusiastic dancers - he must have been bloody hot!

'Bad Moon Rising' seems particularly apt tonight, as does a dose of Black Sabbath.

As well as the band dressing for the occasion, there is an appropriate theme for some of the songs too - 'Werewolves of London' being a pretty obvious one - there are two wolves in the crowd after all!

I think I made the right choice of venue for All Hallows Eve this year, although there seemed to be slightly less people in the pub than for this band's Halloween gig last year - maybe that's why the beer didn't run out this time? Unfortunately the real ale pumps remained out of use and I couldn't spot any Newcastle Brown or similar in the cooler cabinets, but at least the Flowers bitter on draught was reasonably priced. Not that I drunk that much as it often took ages to get served at the bar, although to be fair the staff were doing their best. The band were excellent, the pub was idiot free, and I was home a lot quicker than if I had gone to the West End or Camden - and I didn't feel I was getting ripped off.

29/10/2014 Bernie Torme @ The Borderline

This is the first time I've actually managed to see Bernie Torme in his own right, although I still remember queuing up outside a sold out Marquee in the hope of getting in back in the day. We never did get in that night. However,  I've managed to see him with the amazing G.M.T. three times in recent years - see elsewhere in my blog...

This rainy Wednesday night sees the Irish guitar wizard playing to a pretty full West End club to support his new double album 'Flowers & Dirt' - his first solo record in many years.

This date is part of a short tour - like the new album it's his first solo effort for many years, although he has in more recent years been active gigging and releasing albums with G.M.T. - a band who I hope we haven't seen the last of...

Mr Torme is on fine form tonight and is backed most effectively by the rhythm section who also played on his new album. Bernie has taken the Pledgemusic fan funding route for the new 'Flowers & Dirt' double album and I think has been taken by surprise at how popular this project has proved. The 20 track album that has resulted is rather good.

Guitar pyrotechnics are provided in plenty tonight - it's quite obvious why Ozzy Osbourne chose Bernie to step in after the tragic and sudden death of Randy Roades in mid-tour. No reliance on fancy modern technology and loads of effects pedals here - just an overdriven Stratocaster though cranked up Marshall amps. Let the music do the talking!

The setlist is varied and spans the man's career well - from his days with Gillan to the new album. Although Bernie could be considered a 'flash' guitarist it's a no-bullshit set. No multiple guitar changes - in fact I think the same guitar was used all night with minimal retuning required in spite of the abuse it suffered at the hands of it's owner! Bernie likes to play LOUD - just ask Jasper Carrot! This is something I noticed when he played with G.M.T. and the battered and ancient Marshall amps he used with that band have been replaced by new looking ones for this tour. One thing that hasn't changed is that Bernie manages to get the biggest fattest sound out of a Fender Stratocaster with single coil pickups I've ever heard - even Stevie Ray Vaughan's famously fat Strat sound seems thin in comparison.

This power-trio is tight and well drilled as you'd expect and obviously enjoy playing together.

I'm pleased that the band play 'Turn Out The Lights' as I still have that album on dusty white vinyl to remind me of the time vainly queuing outside a sold out Marquee. One or two G.M.T. songs get an airing too, and well as obviously some stuff from the new 'Flowers & Dirt' album. Although friendly and down to earth if you meet him in person Bernie is quite a showman - without going O.T.T. with posing and shape throwing - he manages to strike a nice balance while still giving people a memorable performance.

I'm really pleased that the last two songs in the set are ''Trouble' and 'New Orleans' - one of which was how I first discovered Bernie Torme back in the day when I saw him on Top Of The Pops with Ian Gillan's band.

At the end of the show a guest (apparently one of the 'Pledgers' for the new album).is invited onto the stage to play guitar on Hendix cover 'Fire'.

Tonight proves to be well worth the wait of all those years to finally see Bernie Torme play a solo show. Let's hope I don't have to wait so long next time - although I'd love to see G.M.T. again as well.

The State of Metal Today - a bit of a rant. Or - 'Death to false Metal!'

It's been in a piss-poor state since the shower of shite that was Nu-metal was foisted upon us - hasn't it? Things are starting to look up a bit though - there is finally light at the end of the tunnel. Maybe things were getting a bit stale before Nu-metal came along and a breath of fresh air was needed? What we got instead was some foul smelling dogbreath. Yes - Nu-metal stank!

Change can be a very positive force in music - look at Punk, and more recently Grunge. There was nothing positive about Nu-metal - it was negative and dumbed down to the Nnnnnth degree. It was no longer 'cool' to be able to sing or play a decent guitar solo. Talent was 'out' and downtuning was 'in'. Having 'issues' was in too. Like nobody ever had issues before? Some of us remember Bon Scott singing "and my mother hates me!" in AC/DC's 'Problem Child'. The art of of creating a good riff went out the window - two note riffs repeated for most the song were good enough. You hardly even needed anything you could call a 'song' anymore - a shit two note riff with someone screaming or shouting over it was fine.

The music media were happy - they had discovered the 'Next big thing'. Here kids - buy this! Yes - this will really piss your parents off! And that was all that mattered. Just like rock & roll, heavy metal, punk, and eventually grunge - kids want to rebel against their parents, so they need to find some music their parents will hate. Hey kid - here's Limp Bizkit. Look - this (middle aged record company CEO) has his (tailored) baseball cap on back to front just like you - he's 'down with the kids'. Here's some music about hating your parents - here's some music about your parents not understanding you. Look - these guys hate their parents too - they're just like you.

And the kids bought it - just like the music press told them to, after the big record companies had told them to - and bought loads of advertising space. Job done.Suddenly all these new groups are saying Black Sabbath is their favourite band - 'cos they're so heavy man! But when these same new bands are interviewed and asked who they grew up listening to and who's records they bought as kids it's all Duran Duran, Human League, Soft Cell, and Depeche Mode. What the fuck? I wasn't buying any of their bullshit, but Kerrang! were pushing it all down their throats and the kids were swallowing it hook line and sinker. It didn't seem to matter that all these bands looked and sounded virtually the same. And if any kid thought they were virtually the same? 'Hey kid - here's Slipknot'. That kept them quiet - and their parents hated that shit even more. Job done.

Most the older (post teenage) generation weren't fooled, but the kids didn't know any better. Most of them had never heard the classic rock bands of old - they went straight from chart pop music to Nu-metal. They didn't know there was anything else - anything better - anything with decent songs. I didn't buy into all the fake angst at all, but a generation of kids did. I don't need to hear a band of millionaires whining about how shit their life is. I've got enough of my own shit to deal with - fuck off - I don't want to hear about yours as well. Go and listen to the blues instead. Or even play the blues - then maybe I'll be able to relate to you. At least if it's more sincere than the fake shit you are churning out 'for the kids'.

Inevitably, those kids grew up and grew tired of the same old 'Nu' shit. Trends change and the media had to find something new, but nothing new was coming along. The ever evolving Metallica even seemed to get influenced by Nu-metal and made an album with simpler songs and NO guitar solos. 'St Anger'. Most their fans hated it! I actually rather liked it because of it's aggression and filthy guitar sound, but the less said about that snare drum sound the better...

Meanwhile, metal was evolving on another more extreme tangent. It wasn't about pissing-off your parents and whining about how shit your life was like Nu-metal. This was something evolving from thrash metal and taking something from Nu-metal too. Now all the bands were competing to be the heaviest and most extreme bands around. They are all striving desperately to out-do each other by being heavier and more extreme than the other bands. The result is they all sound exactly the same. It's just metal by numbers - turn the amps up 'louder' than all the others (although you are all using pretty similar amps and they only go so loud) get a more distorted sound than all the other bands (by using the same effects to overdrive the amps) play faster than the other bands (but actually you can't 'cos they are all playing really fast too) and get your shit singer to scream and/or shout even more. Don't worry about trying to write a good song or anything. Even if you did manage to write a good song you would murder it just like you do when you cover a classic song to try and get noticed. Oh yes - you also need a logo with a really shit font so no one can read the name of your band on the posters. Then you can complain about how no one comes to your gigs 'cos your are so underground. Self inflicted yes?

I reckon most these bands know how shit they really are, and they know they will never make it 'cos they are so bad - they choose to make themselves martyrs and know they can be big fish in a (very) small pond while making out the real reason for their lack of success is because they are so extreme and so underground and rebellious that society and the rock mainstream can't take them. No guys - it's just because you aren't good enough.

All you have to do is write a 'song' with a shit two note riff that a five year old kid could play with one finger. Downtune your guitars to sound really heavy (just like all the other bands) and play really fast (just like all the other bands) and even if you have a good singer - whatever you do don't let him/her actually sing! Every band has to use double bass drums played at machine gun speed and with a shit drum sound so the bass drum sounds more like a snare - it sounds like all the bands have the same drummer. It doesn't matter how rubbish your song is - just follow these simple rules and Team Rock will rave about how amazing it is.

What annoys me about these bands is that they are usually very good musicians (as were most the Nu-metal guys) but they dumb down their act. Some of these bands have singers who are actually really good, but instead of using their talent they scream/shout/grunt. Any fucker can do that. Some of these singers have great voices, but they don't use them - they just scream away. Why be deliberately shit and churn out this metal-by-numbers when you can be so much better? Like the Nu-metal bands most these guys are technically really good players - if you are actually a good band - why pretend you aren't? It's all so fake. Is is because metal is just as fashion and trend led as pop music? You've got to scream 'cos that's 'what the kids want?' But do they really?

You've got the emo/screamo metal merchants as well - this seems to me more of an American thing and is more image based because of that. Bands with a mixture of  'pop star' and Goth looks. Usually the music isn't so heavy or extreme, but certain rules have to be followed with the vocals. Maybe have two singers - a good one and a shit one who screams. Often I hear a song by one of these bands and think 'Hey - what's this? It sounds OK, decent music, a bit of a song in there, this guy can sing too'. And then after a minute in comes some fucker screaming for no reason - and I lose interest straight away. Another potentially good song ruined. Why? It's like it's back to the 'Metal-by-numbers' thing - these guys are in the studio writing a song and they are doing OK. Then someone in the band (or maybe the record company?) says "Hey guys - we've got to put some screaming in - otherwise 'the kids' won't buy it".

This is why I can't listen to Team Rock Radio all day. I like Team Rock. I like the wider variety of rock music compared to the other 'rock stations. Absolute Classic Rock is like 'rock music for beginners' with it's crushingly unimaginative and predictable playlist of the same few desperately tired old songs. Planet Rock plays good music but is boring and repetitive - I never turn the station off because the music isn't any good (although it's not all to my taste) but it's not usually long before I'm bored. So I'll change to Team Rock - where I know I'm not likely to get bored of the music. Then after a few songs they will inevitably play something utterly dreadful with really shit vocals - so I change back to Planet Rock or Absolute Crock again. Soon I'll get bored again and have to go back to Team Rock, but after another few songs they will play something else really bad and I'll be reaching for my DAB presets again. And so it goes all day long...  I wish I could leave my radio on Team Rock all the time, but they will insist on playing stuff which is utter shite and then bigging it up like it's amazing - when it SO obviously isn't to anyone who hasn't either got defective hearing or mental issues. I really do appreciate the wide variety of music they play, but they do have some serious quality control issues... These 'rock' stations are between them slowly. killing my love of rock music, so at the weekends I mostly listen to 6 Music instead - particularly mornings until mid-afternoon.

Sorry - my train of thought got derailed there. I've already had a good rant about DAB radio in an earlier post on here. Back on track...

I know I'm having a go here, but I do like metal really - as long as it's good. As in, a good song and good performances from the band members. Meaning in particular a singer with a decent voice who can actually sing - or at least really tries to. OK - not everyone has a voice like Paul Rogers or David Coverdale, but I really appreciate it when a singer really puts some genuine effort and emotion into a song even if the voice isn't amazing. What I don't like is fake anger and aggression - I didn't buy all the faux angst of Nu-metal, and I don't believe the fake anger of most current metal either.As Manowar sang - "Death to false Metal!" It's my belief that a lot of the current really extreme rock and metal with all it's anger and aggression is not what it pretends to be at all - it's actually very commercially minded 'metal-by-numbers' made by deliberately dumbed-down bands in hand with record companies and certain sections of the rock media just to make money - not for any genuine or sincere artistic reasons. It's just neatly packaged mass produced 'rebellion' for the kids. And now we have neatly packaged rebellion for grown-ups too - I give you Nickleback.

However, the current metal scene isn't all bad. Some of the old classic metal bands are still round and making decent new music - Black Sabbath, Saxon, and Judas Priest for instance. Iron Maiden are still a terrific live band and have released quality new music in recent years. Metallica have matured into a 'classic' metal band while not losing touch with their thrash roots. Megadeth, Anthrax, and Slayer are still kicking around in various forms too. And there are good new bands coming though amidst all the terrible ones.

The encouraging thing is that songs and good musicianship seem to be slowly making a comeback - as do bands with an individual identity of their own fighting their way through all the metal-by-numbers clones trying to out-heavy each other. Some of the screamy/shouty/growly vocalist bands of the last few years seem to have realized why their careers have stalled and they can't progress beyond a certain level - there is only a very limited market for bands with shit singers - even if the music is OK. For instance, Fish Finger Death Punch. For years I thought they were rubbish and found their music unlistenable - largely because of the vocals, although I couldn't hear much resembling a decent actual song beneath all the aggression either. Then on the radio I heard them cover a Bad Company song - the actual song 'Bad Company' in fact. Guess what? Their singer can actually sing and even has quite a good voice! So why didn't he use it before? He's been deliberately being shit and wasting his talent for years - this sort of thing really annoys me. The guitarist can actually play a good solo as well - instead of constantly overplaying like the guys in all these bands do. I remember Paul Rogers saying of the late great Paul Kossoff  "He didn't play a million notes a second - but every note he played meant something". Most of the current metal guys could could learn a lot from that... Even if Five Finger Death Punch do progress and grow into a genuinely good band as they have shown the potential to - they have painted themselves into a corner with their name and that will prevent them getting to the next level....

Avenged Sevenfold are an interesting example too. Another band who I have been aware of for years, but have failed to make any impression on me with their screamy, downtuned overplaying and fake aggression. Suddenly, for them the penny seems to have dropped - Metallica were really loud, fast, aggressive, and the vocals weren't good - yet they managed to break though. Why? Because they learned to write good songs with interesting arrangements, light & shade and very melodic bits. Then they made the 'Black' album. BANG! Avenged Sevenfold decided they needed a 'Black album' - so they made 'Hail to the King'. Guess what? Suddenly people are taking notice of A7X and they are headlining Download. It's not a perfect album, and maybe they have taken the 'Black Album' influence a bit far - the song 'This Means War' is virtually a cover of Metallica's 'Sad But True'. There is still some pointless screaming on the album, but there is a lot good singing too - the guy has a much better voice and is a much better singer than James Hetfield - who himself has worked at it and improved greatly as a vocalist over the years. This album has the makings of a minor classic and I'm sure will be regarded as such in a few years. It ticks virtually all the boxes that the 'Black' album ticked, although it doesn't quite have an 'Enter Sandman' or 'Nothing Else Matters'. It's a good strong album, and like Metallica's classic breakthrough album it has massively divided their fans - I'm sure many of them were crying "Sell out!" from the minute it came out. Suddenly A7X are getting playlisted on stations like Planet Rock which wouldn't touch them with a bargepole last year. Most the band's fans are pretty young and have only recently got into rock music - so they don't realize that 'Hail To The King' is a far from original sounding album. Metallica's 'Black' album was fresh and groundbreaking when it came out, but A7X's breakthrough album is far from it. From the rain sound effects which open the album (exactly as Black Sabbath opened their first album) to the blatant 'Sad But True' rip-off, to the tolling bell (Metallica again - as well as AC/DC among others) and the Lord of the Rings/Game Of Thrones themes - much of this album is good, but not original, although it is polished and well produced. It will be interesting to see where this band take things next. Like Fish Finger Death Punch I think their lack of foresight might have painted themselves into a corner - not only do they look like they can't make up their mind if they are a rock band or a pop group, but also how many people are going to take artists with names like Synyster Gates and M. Shadows seriously? Good luck in the future with that....

Other heavy bands are starting to realize there is no longer any future in dumbing-down their act. One of the most promising songs I've heard recently is from a new band from Norway called Audrey Horne - it's very melodic, well written and arranged - excellent singing too. Some of the guys in the band (named after a character from 'Twin Peaks') used to be in Black Metal bands. Go figure. There is still loads of great new rock music out there, but I don't much of it is heavy metal at the moment. Where are the 'classic' metal bands of the future? - I'm sorry, but I just don't see any at the moment. There are certainly plenty of fresh new bands coming though in the more 'classic rock' and blues styles who don't sound old or dated at all - I reckon the best places on the radio to check out quality new rock acts are Nicky Horne's show on Team Rock and Phil Alexander's Mojo Rocks show on Planet Rock. Also focusing on new music are Wyatt's New Rock Show on Saturday nights on Planet Rock and Sophie K's Breaking Bands show at midnight on Team Rock Radio.

As for Metal...