It proved to be an interesting event - and yes, there was free booze! I found I wasn't the only member of 'walking wounded' present as I also spotted a certain well known rock DJ hobbling about on crutches after a recent accident - but he'd been thrown from a horse rather than a motorcycle! Things started with a presentation from various figures involved with the late rock/blues guitar legend. Among these was his former guitar tech Graham Liley, who had some interesting information about Gary's guitars.
Also talking to us was Harry Shapiro - author of the new 'Official' Gary Moore biography 'I Can't Wait Until Tomorrow'. He also had many interesting stories to tell.We then had BMG's Director of Design Neel Panchal tell us about how the whole design for the new box set's packaging was put together.
The Q&A session at the end was interesting and revealing. For the guitars geeks present (me included) there was also a selection of Gary's guitars on display - some of which where a surprise to me and not guitars that's I'd normally associate with him. Needless to say (given where this event was being held) there were all Gibsons!
The guitars were of much interest to me, in particular the ES-335 and ES-345 models. I didn't realise that my small guitar collection includes three models that were played live by Gary Moore. Also included were some one-off prototype Les Pauls which had been specially made by Gibson for Gary - mouth watering stuff! There was a selection of other Gary Moore memorabilia on display as well as items related to the new box set - which includes new live recordings on CD as well as a new 'best of' spread across four vinyl discs and the new biography - certainly a desirable package for any Gary Moore fan!
Naturally, with this being the Gibson studio there were many of the company's products and those of it's associated brands in evidence although not connected to the event - including one or two I'd certainly like to get my hands on!
Back upstairs there loads more highly desirable Gibson's on display, including one or two models that I already own.
Finding myself in something approaching 'Guitar Heaven' I didn't have much time to enjoy the spectacle as a smartly suited Gibson security man was regarding me with deep suspicion - and slowly but subtly trying to edge me towards the door as the event was now over and I was the last of the guests to leave.
I'd managed to get a few free cans of cider down me, but the booze ran out by the end of the event, so it was off to the pub before heading home - the pub in this case being the former Marquee Club in Charing Cross Road. After many years, I can now finally go in there without feeling the twinge of sadness that used to prevent me going there as I remembered what the place used to be and the bands I saw there.
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